“Ceramic Dog, a power trio of jazz geniuses who inflect literate rock with formidable chops. The synthesis is frenetic, potent, and at odds with the zeitgeist, even if Ribot’s lyrics decry today’s political oppression: Musically, he rejects both the voguish and the virtuosic in favor of his own whims…His progressive sentiments are welcome, and unfortunately more relevant than ever.” -Pitchfork 2023

“Marc Ribot can morph into any style and still come out sounding only like himself, which is central to the jazz aesthetic…He’s a guitarist and artist who takes music wherever the muse goes, diving into jazz, punk, blues, downtown, inside, outside, all sides, avantgarde, spoken word. He’s the ‘beyond’ in DownBeat’s tagline, ‘Jazz, Blues & Beyond.’ That’s especially true with his longtime trio Ceramic Dog.” – DOWNBEAT

“His Ceramic Dog trio with bassist/multi-instrumentalist Shahzad Ismaily and percussionist/drummer Ches Smith is as much of a sonic vehicle for Ribot’s dry, wry lyrics and sandpaper-y vocals as it is for his reverberating skronk and fuzztoned twang-bar noodlings.” – JAZZTIMES

latest Album ‘CONNECTION’ (2023)

About:
Connection is Ceramic Dog's 5th recording (or 6th, if one counts the Bandcamp digital only EP “What I Did On My Long Vacation”, or 7th including the Deerhoof collaboration).
It’s also their best…a work that doesn’t resolve the tension between Ceramic Dog's (not-so-post) punk/new music/free jazz points of departure and the pop ambitions they've always buried (never too far) beneath the surface... so much as push to the breaking point …Check out the post-apocalyptic landscape of “Subsidiary”,  the anthemic manifesto “We Are Soldiers in the Army of Love”, or the unhinged ranting of “Heart Attack”: all perfect for slam-dancing on a minefield (our current pop moment?). Fans of minimalist polytonal disco will surely appreciate the indescribable “No Name”.  And if multiple time signatures are your bag: the song “Connection” has what you need. “That’s Entertainment” devours/deconstructs the Hollywood standard's psychotic cliches, while winking at the Gang of Four (see “Entertainment") and the "gang of four” (Madame Mao Tse Tung et al.).
But it’s the tune Ecstasy—whose Boogaloo inflected groove recalls Ribot’s earlier work with the Cubanos Postizos-- that states the band’s ethic in starkest terms: “I don’t want you to give me nothing…unless you give me...ecstasy.” After 18 years of collective life on the road/in this world…it seems that’s the only currency Ceramic Dog still accepts. And on “Connection”, they gamble with/for it like there’s no tomorrow.