Enigmatic guitarist Marc Ribot has released 6 very diverse solo guitar albums: (including John Zorn’s Book of Heads, Plays the Works of Frantz Casseus, Saints, Don’t Blame Me, Exercises in Futility) and 2010's, Silent Movies (Pi Recordings) has been described as a "down-in-mouth-near master piece" by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board. Most recently in 2025, the long awaited Map of a Blue City (New West), a collection of songs 30 years in the making featuring Ribot’s imaginative playing and leads to what may be his definitive statement as an instrumentalist, as a songwriter, and even as a singer, was named amongst BBC 6Music’s Albums of the Year.

Ribot’s live solo performances are unpredictable events which may draw on all of these or none, creating a sonic matrix of memory, free improvisation, zeitgeist, extra-terrestrial radio signals, and much more...always leaving the listener on the edge of their seats.

“Marc Ribot's singular approach to guitar compresses swathes of Americana into a full spectrum of jazz and stirs in a hefty dash of punk attitude.” - Financial Times

"Ribot needs no introduction. But nothing prepares us for Map of a Blue City... Beyond jazz, steeped in humanity... an album of the year." **** - Jazzwise Magazine

“In the hear-a-pin-drop setting of Cafe Oto, Ribot's intense, heartfelt commitment invited not only the closest of listening but also allowed scrutiny of his technical approach, offering a minor spectacle as well as a rare, transportative musical experience.” – London Jazz News

"...he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise." - John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album "Silent Movies."

"In discussing the guitarist Marc Ribot, it's more efficient to wonder what he hasn't done then to list what he has actually accomplished. Across four decades, Ribot's career has spanned smooth soul and gnarled blues, blaring no wave and elegant film scores, solo composer roles and Tom Waits supporting work; that's only a sliver of his prolificacy...Though his solo range is only slightly less boundless than his overall discography, he favors quiet, intricate improvisations around standards that you will recognize in flashes but will rarely sound repetitive of their sources. Ribot is a master of timing, tone, and taste, with a bank of experiences so vast and varied he can navigate his way through any song or situation with panache.