While Bill Frisell’s artistic method involves deciding on the specific repertoire for each performance based on the his daily experience while on tour, he and Eyvind Kang will be performing a variety of original Frisell compositions and carefully chosen pieces by other composers with extended improvisations based on the thematic material they find inspiring in their musical exploration, tailored especially for the audience of each concert.

WORDS  BY BILL...

“For decades now Eyvind Kang has been my mentor, teacher, collaborator, spirit lifter, and a dear friend. He inspires me. Always. 
Eyvind is a fearless explorer. We’ve traveled many roads together. I’m so much looking forward to our further adventures together.“

Eyvind Kang:
Kang is a violist and composer who has released 15 albums including Riparian (2025) Sonic Gnostic (2020) and Ajaeng Ajaeng (2020), Chirality (2019) and Grass (2012), going back to Sweetness of Sickness (1996). He has worked closely with illustrious musicians including Jessika Kenney, Laurie Anderson, Skuli Sverrisson, Hildur Guðnadóttir. He is a disciple of spiritual jazz violinist Michael White, and a lifelong student of North Indian classical music with Padma Bhushan Dr. N Rajam.
He is also an acclaimed arranger who has written arrangements for bands like Blonde Redhead, Animal Collective, Sunn O))). He is currently working on a a series of arrangements of John Zorn’s Bagatelles. 
Throughout all this his regular collaboration with Bill Frisell is a fixed star in his musical career.  He plays on “Quartet” (1996), “Unspeakable” (2004),; Richter 858 (2005), History, Mystery (2008), “Beautiful Dreamers” (2010), “Sign of Life” (2011), “Big Sur” (2013) and “When you Wish upon a Star.” (2016). He has travelled and performed with Bill regularly for 30 years. 
Pitchfork describes Eyvind Kang as a “musical polymath,” and Bill Frisell continues to emphasize in interviews his great respect for Kang as a highly sensitive and intuitive musician who enriches every ensemble with his precise listening and quick reactions.
He currently teaches at California Institute of the Arts. 

Bill Frisell:
Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade”.
Grammy nominated, his latest recording is entitled Orchestras released April 2024 on Blue Note. In the trio format he’s favored throughout his career, the guitarist and composer has always projected an orchestral scope — through his remarkably complete sense of harmony, a unique gift for melodies that remain with you long after a performance, and a keen feel for how dynamic range can be used to convey emotion. But on his new double album, his fourth release for Blue Note Records, he makes those symphonic evocations a reality. Produced by Lee Townsend, Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for Frisell’s long- standing trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted by Alexander Hanson; and one with the 11-piece Umbria Jazz Orchestra, under the musical direction of Manuele Morbidini.
In March 2022, a biography on Frisell, entitled Beautiful Dreamer – The Guitarist Who Changed The Sound of American Music, written by Philip Watson was published by Faber and released in the UK, Europe, South, Central America & Asia. Through unprecedented access, and interviews with his close family, friends and collaborators, Philip Watson tells the story of the innovative and influential guitarist and composer.
Recognized as one of America’s 21 most vital and productive performing artists, Frisell was named an inaugural Doris Duke Artist in 2012. He is also a recipient of grants from United States Artists and Meet the Composer, among others. From 2013 – 2015, Bill was Resident Artistic Director for Jazz at Lincoln Center for their Roots of Americana series, and in 2016, he was a beneficiary of the first FreshGrass Composition commission to preserve and support innovative grassroots music. Upon San Francisco Jazz opening their doors in 2013, he served as one of their Resident Artistic Directors. Bill is also the subject of a documentary film by director Emma Franz, entitled Bill Frisell: A Portrait, which examines his creative process in depth. He has also received an honorary doctorate from the Berklee College of Music.